| dc.contributor.author |
Lindborg, PerMagnus. |
| dc.date.accessioned |
2011-03-08T06:25:07Z |
| dc.date.available |
2011-03-08T06:25:07Z |
| dc.date.copyright |
2007 |
| dc.date.issued |
2011-03-08T06:25:07Z |
| dc.identifier.citation |
Lindborg, P. (2007). Composers' rights in a digital world. Intellectual Property Rights and Copyrights in Music Field (2007:Hanoi), pp.1-4. |
| dc.identifier.uri |
http://hdl.handle.net/10220/6755 |
| dc.description.abstract |
This paper looks into how music composers’ rights to their work are dependent on the nature of a work as well as its origin and underlying philosophy. Some differences and overlaps between French Droit d’auteur, Anglo-Saxon Copyright and the Copyleft movement will be explored. I will briefly touch on examples from my own compositional practice. |
| dc.format.extent |
4 p. + 1 slide file |
| dc.language.iso |
en |
| dc.subject |
DRNTU::Visual arts and music::Music. |
| dc.title |
Composers' rights in a digital world. |
| dc.type |
Conference Paper |
| dc.contributor.conference |
Intellectual Property Rights and Copyrights in Music Field (2007:Hanoi) |
| dc.contributor.school |
School of Art, Design and Media |
| dc.description.version |
Accepted version |
| dc.identifier.rims |
131299 |
