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Composers' rights in a digital world.

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Composers' rights in a digital world.

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dc.contributor.author Lindborg, PerMagnus.
dc.date.accessioned 2011-03-08T06:25:07Z
dc.date.available 2011-03-08T06:25:07Z
dc.date.copyright 2007
dc.date.issued 2011-03-08T06:25:07Z
dc.identifier.citation Lindborg, P. (2007). Composers' rights in a digital world. Intellectual Property Rights and Copyrights in Music Field (2007:Hanoi), pp.1-4.
dc.identifier.uri http://hdl.handle.net/10220/6755
dc.description.abstract This paper looks into how music composers’ rights to their work are dependent on the nature of a work as well as its origin and underlying philosophy. Some differences and overlaps between French Droit d’auteur, Anglo-Saxon Copyright and the Copyleft movement will be explored. I will briefly touch on examples from my own compositional practice.
dc.format.extent 4 p. + 1 slide file
dc.language.iso en
dc.subject DRNTU::Visual arts and music::Music.
dc.title Composers' rights in a digital world.
dc.type Conference Paper
dc.contributor.conference Intellectual Property Rights and Copyrights in Music Field (2007 : Hanoi)
dc.contributor.school School of Art, Design and Media
dc.description.version Accepted version
dc.identifier.rims 131299

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