Matthews, Graham and Melissa Ho. (2024) "Mental Health Treatments and the Influence of Culture: Portrayals of Hypnotherapy and Electroconvulsive Therapy in Singaporean Television Dramas" in BMJ: Medical Humanities

Matthews, Graham. (2023). "Science, Scientists, and Prehistories of SSK in Mid-Century British Literature" Configurations 31(2)

Matthews, Graham and Cheryl Julia Lee. (2023) “Intelligent Infrastructure, Humans as Resources, and Coevolutionary Futures: AI Narratives in Singapore,” in Imagining AI: How the World Sees Intelligent Machines. Ed. Kanta Dihal and Stephen Cave. Oxford: Oxford University Press.

Matthews, Graham, and Cheung Hiu Tung, Cally (2022). Digital Keywords for China: Perceptions and Portrayals in English-language Novels. Literature & History 31(2).

Matthews, Graham, and Francis Bond (2022). The Epigraph Effect: A Digital Humanities Approach to Literary Influence and Tradition. English 71(273), pp. 94-102.

Matthews, Graham, and Olivia Djawoto (2021). Innovative Assessment Methods as a Pathway to Public Engagement: A Case Study of Literature & Medicine. Pedagogies 17(3).

Matthews, Graham. (2020). Clinical Empathy and the Ethics of ‘Detached Concern’ in Mid-century British Literature. Literature & Medicine 38(1), pp. 113-140.

Matthews, Graham. (2020). ‘A push-button type of thinking’: Automation, Cybernetics, and AI in Mid-century British Literature. In Stephen Cave, Sarah Dillon, and Kanta Dihal (Ed), AI Narratives: A History of Imaginative Thinking about Intelligent Machines. Oxford: Oxford University Press.

Matthews, Graham. (2020). “Grief made her insubstantial to herself”: Illness, Aging, and Death in A. S. Byatt’s Little Black Book of Stories. The Routledge Companion to Death and Literature London: Routledge.

Matthews, Graham. (2020). Shanghai and the Birth of Chinese Nationalism: The May 30th Movement and the North-China Daily News. Revealing/Reveiling Shanghai: Cultural Representations from the 20th and 21st Centuries SUNY Press.

Matthews, Graham (2019). “Cancer Narratives in Singapore: Uncertainty and Risk in the Medical Encounter”. Moving Worlds: A Journal of Transcultural Writings , Vol. 19, No. 2, pp. 6-20.

Matthews, Graham (2019). “A State of Mathematical Grace: Risk, Expertise and Ontological Insecurity in Ian McEwan’s Enduring Love”, English Studies, Vol. 100, No. 4, pp. 478-494.

Matthews, Graham and Cheung Hiu Tung, Cally (2019). ‘Building a Corpus of Representations of China in English-language Novels, 1927-2007’ in Pacific Neighbourhood Consortium Annual Conference and Joint Meetings (PNC) (IEEE Explore Digital Library), pp. 1-6.

Matthews, Graham (2018). “Family Caregivers, AIDS Narratives, and the Semiotics of the Bedside in Colm Tóibín’s The Blackwater Lightship”, Critique: Studies in Contemporary Fiction, Vol. 60, No. 3, pp. 289-299.

Matthews, Graham and Francis Bond (2018). ‘Toward an Epic Epigraph Graph’ in 11th edition of the International Conference on Language Resources and Evaluation, pp. 3303-8.

Matthews, Graham (2018). ‘Illness Narratives and the Consolations of Autofiction’ in Autofiction in English, Ed. Hywel Dix, Basingstoke: Palgrave Macmillan, pp. 125-44.

Matthews, Graham (2018). ‘Desire’ in The Bloomsbury Handbook of Literary and Cultural Theory, ed. Jeffrey R. Di Leo, London: Bloomsbury.

Matthews, Graham (2018). ‘Framing Risk in China: Precarity and Instability in the Stories of Li Yiyun’ in Fiction in the Age of Risk , Ed. Professor Tony Hughes-d’Aeth and Golnar Nabizadeh. London: Routledge, pp. 67-84.

Matthews, Graham (2017). “Historicizing Contemporary Literature through the Decades”, Modern Language Review, Vol. 112, No. 4, pp. 842-854.

Matthews, Graham (2017). “Framing Risk in China: Precarity and Instability in the Stories of Yiyun Li”, Textual Practice, Vol. 31, No. 3, pp. 505-521.

Matthews, Graham (2016). “Chinese Historical Fiction in the Wake of Postmodernism: Two Versions of Yan Geling’s The Flowers of War”, MFS: Modern Fiction Studies, Vol. 62, No. 4, pp. 659-677.

Matthews, Graham (2016). ‘What We Think About When We Think About Triffids: The Monstrous Vegetal in Post-war British Science Fiction’ in Plant Horror: Approaches to the Monstrous Vegetal in Fiction and Film, Ed. Dawn Keetley and Angela Tenga, Basingstoke: Palgrave Macmillan, pp. 111-27.

Matthews, Graham (2016). ‘J. G. Ballard and the Drowned World of Shanghai’ in J.G. Ballard: Landscapes of Tomorrow, Ed. Professor Richard Brown, Chris Duffy, and Elizabeth Stainforth, Leiden: Brill, pp. 9-22.

Matthews, Graham (2015). “Cynicism and the Cultural Imaginary: Bret Easton Ellis’s Imperial Bedrooms”, College Literature: A Journal of Critical Literary Studies , Vol. 42, No. 1, pp. 62-88.

Matthews, Graham (2015). “In Need of a Foreign Trademark”: English Literature in Mainland China’ in The Future of English in Asia: Perspectives on Language and Literature, ed. Professor Michael O’Sullivan, David Huddart, and Carmen Lee, London: Routledge, pp. 159-172.

Matthews, Graham (2013). “Consumerism’s Endgame: Violence and Community in J.G. Ballard’s Late Fiction”, Journal of Modern Literature, Vol. 36, No. 2, pp. 122-139.

Matthews, Graham (2013). ‘(Im)material Violence: Discipline and the Gaze in James Kelman’s How Late It Was, How Late’ in Violence and the Limits of Representation, Basingstoke: Palgrave Macmillan, pp. 49-68.