Academic Profile : No longer with NTU
Dr Stephen Teo Kian Teck
Senior Research Fellow, Wee Kim Wee School of Communication and Information
Email
Journal Articles
(Not applicable to NIE
staff as info will be
pulled from PRDS)
(Not applicable to NIE
staff as info will be
pulled from PRDS)
Stephen Teo.(2013). Cynical Authorship and the Hong Kong Studio System: Li Hanxiang and his Shaw Brothers Erotic Films. In Gray, J., and D. Johnson(Ed), A Companion to Media Authorship(257-274). London: Wiley-Blackwell.
Stephen Teo.(2013). The Female Kung Fu Chop in Golden Harvest’s Films of the 1970s. In Fung, P. and Lau Y.(Ed), Golden Harvest: Leading Change in Changing Times(78-95). Hong Kong: Hong Kong Film Archive.
Stephen Teo.(2013). The Opera Film in Chinese Cinema: Cultural Nationalism and Cinematic Form. In Rojas, C. and E. Chow(Ed), The Oxford Handbook of Chinese Cinemas(209-224). New York: Oxford University Press.
Teo, S.(2008). Hong Kong Cinema. In Pam Cook(Ed), The Cinema Book(224-227)..
Teo, S. (2008). Promise and Perhaps Love: Pan-Asian Production and the Hong Kong-China Interrelationship. Inter-Asia Cultural Studies, 9(3), 341-358.
Stephen Teo.(2013). The Female Kung Fu Chop in Golden Harvest’s Films of the 1970s. In Fung, P. and Lau Y.(Ed), Golden Harvest: Leading Change in Changing Times(78-95). Hong Kong: Hong Kong Film Archive.
Stephen Teo.(2013). The Opera Film in Chinese Cinema: Cultural Nationalism and Cinematic Form. In Rojas, C. and E. Chow(Ed), The Oxford Handbook of Chinese Cinemas(209-224). New York: Oxford University Press.
Teo, S.(2008). Hong Kong Cinema. In Pam Cook(Ed), The Cinema Book(224-227)..
Teo, S. (2008). Promise and Perhaps Love: Pan-Asian Production and the Hong Kong-China Interrelationship. Inter-Asia Cultural Studies, 9(3), 341-358.