dc.contributor.authorLindborg, PerMagnus
dc.date.accessioned2015-02-16T04:07:26Z
dc.date.available2015-02-16T04:07:26Z
dc.date.copyright2014en_US
dc.date.issued2014
dc.identifier.citationLindborg, P. (2014). Congruency of colour associations to urban soundscapes, restaurants, and electroacoustic soundscape compostions. 13th International Conference on Music Perception and Cognition and 5th Conference for the Asia-Pacific Society for Cognitive Sciences of Music.en_US
dc.identifier.urihttp://hdl.handle.net/10220/25062
dc.description.abstractSoundscapes are the auditory parts of multimodal environments (physical or virtual). We propose that while they may have differing degree of design intent: from non-designed (e.g. pristine, natural, urban areas), via semi-designed (servicescapes, restaurants), to fully designed (film, games, concert music), people approach them with similar listening strategies (Tuuri & Eerola 2012). The ecological model of perception explains crossmodal interactions as biological adaptations. A sound from an identified source may elicit a predictable affective response, but an acoustically equivalent but unidentifiable sound might not (Västfjäll 2013). A richer understanding of soundscape perception could be gained by considering visual associations (e.g. Haverkamp 2009, Giannakis & Smith 2001) of different kinds, in addition to semantic scales (e.g. Axelsson et al. 2010).en_US
dc.description.sponsorshipMOE (Min. of Education, S’pore)en_US
dc.language.isoenen_US
dc.subjectDRNTU::Visual arts and music::Music
dc.titleCongruency of colour associations to urban soundscapes, restaurants, and electroacoustic soundscape compostionsen_US
dc.typeConference Paper
dc.contributor.conference13th International Conference on Music Perception and Cognition and 5th Conference for the Asia-Pacific Society for Cognitive Sciences of Musicen_US
dc.contributor.schoolSchool of Art, Design and Mediaen_US


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