dc.contributor.authorJernigan, Daniel Keith
dc.contributor.editorJernigan, Daniel Keith
dc.date.accessioned2015-06-29T04:58:56Z
dc.date.available2015-06-29T04:58:56Z
dc.date.copyright2008en_US
dc.date.issued2008
dc.identifier.citationJernigan, D. K. (2008). Tom Stoppard’s regressive postmodernity: tracking the major plays, from Rosencrantz and Guildenstern are dead to Indian Ink. In D. K. Jernigan (Ed.), Drama and the postmodern: assessing the limits of metatheatre. Amherst: Cambria Press.en_US
dc.identifier.isbn9781604975420en_US
dc.identifier.urihttp://hdl.handle.net/10220/26128
dc.description.abstractAbstract not available.en_US
dc.language.isoenen_US
dc.publisherCambria Pressen_US
dc.subjectDRNTU::Humanities
dc.titleTom Stoppard’s regressive postmodernity: tracking the major plays, from Rosencrantz and Guildenstern are dead to Indian Inken_US
dc.typeBook Chapteren_US
dc.contributor.schoolSchool of Humanities and Social Sciencesen_US


Files in this item

FilesSizeFormatView

There are no files associated with this item.

This item appears in the following Collection(s)

Show simple item record