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|Title:||Congruency of colour associations to urban soundscapes, restaurants, and electroacoustic soundscape compostions||Authors:||Lindborg, PerMagnus||Keywords:||DRNTU::Visual arts and music::Music||Issue Date:||2014||Source:||Lindborg, P. (2014). Congruency of colour associations to urban soundscapes, restaurants, and electroacoustic soundscape compostions. 13th International Conference on Music Perception and Cognition and 5th Conference for the Asia-Pacific Society for Cognitive Sciences of Music.||Abstract:||Soundscapes are the auditory parts of multimodal environments (physical or virtual). We propose that while they may have differing degree of design intent: from non-designed (e.g. pristine, natural, urban areas), via semi-designed (servicescapes, restaurants), to fully designed (film, games, concert music), people approach them with similar listening strategies (Tuuri & Eerola 2012). The ecological model of perception explains crossmodal interactions as biological adaptations. A sound from an identified source may elicit a predictable affective response, but an acoustically equivalent but unidentifiable sound might not (Västfjäll 2013). A richer understanding of soundscape perception could be gained by considering visual associations (e.g. Haverkamp 2009, Giannakis & Smith 2001) of different kinds, in addition to semantic scales (e.g. Axelsson et al. 2010).||URI:||https://hdl.handle.net/10356/106135
|Fulltext Permission:||none||Fulltext Availability:||No Fulltext|
|Appears in Collections:||ADM Conference Papers|
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