Please use this identifier to cite or link to this item: https://hdl.handle.net/10356/143775
Title: Hiroshi Sugimoto and the photography of theatre
Authors: Riordan, Kevin
Keywords: Humanities::Language
Issue Date: 2015
Source: Riordan, K. (2015). Hiroshi Sugimoto and the photography of theatre. Performance Research, 20(2), 102-111. doi:10.1080/13528165.2015.1026740
Journal: Performance Research
Abstract: Hiroshi Sugimoto is best known for his photography, particularly his ongoing series of cinema interiors, of seascapes and of the dioramas from the American Museum of Natural History in New York City. Relying on a large-format camera and often exposing negatives for several hours, Sugimoto produces images with striking visual clarity. Eliminating any perceptible grain and meticulously retouching the prints, Sugimoto produces that ‘genuine photographic illusion … the total transparency of the medium’ (Müller-Tamm 2010: 33). With their remarkable resolution, these photographs almost appear too detailed, sometimes becoming more lifelike than their profilmic objects.
URI: https://hdl.handle.net/10356/143775
ISSN: 1352-8165
DOI: 10.1080/13528165.2015.1026740
Rights: © 2015 Taylor & Francis. All rights reserved.
Fulltext Permission: none
Fulltext Availability: No Fulltext
Appears in Collections:SoH Journal Articles

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