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Title: 古今女性社会性别建构的跨文本研究 :以木兰诗词、戏、电影为例 = Mulan’s cross-text research on the construction of female gender identity in ancient and modern times
Authors: 王佳慧 Ong, Jia Hui
Keywords: Humanities::Language
Issue Date: 2020
Publisher: Nanyang Technological University
Abstract: “木兰”作为华人学术界里广受欢迎的研究题材,在长久的历史进程中曾反复吸 引了许多文人、戏剧家、电影工作者进行不同解读与创作。本文针对木兰文学、木兰 戏曲、木兰电影进行分析,探讨其中从“忠孝”到“女性”的主题演变脉络,借不同 文本中的木兰塑造,来揭示蕴藏在木兰符号背后的女性社会性别建构 (Female Gender Identity) ,从中窥探古今社会对于女性角色的定义与塑造,梳理历代木兰符号被社会赋 予的象征意义与价值观内涵。 Mulan is a popular research topic in the Chinese academia. Since ancient times, Mulan has repeatedly captured the interest of many literati, dramatists and film workers. In their own unique angle, each of them shed light on the story through different perspectives and established Mulan as a symbol for Loyalty, Filial Piety and Feminism. In this research paper, the author analyses the different remake of Mulan in various texts. She also explores how its theme gradually shifted from traditional discourse of Confucian principles to modern-day’s Feminism. Through such observations, the author then aims to reveal the topic of Female Gender Identity in Mulan’s stories, and explore how female gender roles have been defined and shaped by society’s beliefs over the years. Subsequently, the author seeks to dissect the symbolic meaning(s) and cultural value(s) represented by Mulan.
Fulltext Permission: restricted
Fulltext Availability: With Fulltext
Appears in Collections:SoH Student Reports (FYP/IA/PA/PI)

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