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https://hdl.handle.net/10356/14497
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DC Field | Value | Language |
---|---|---|
dc.contributor.author | Siti Maisurah Rosli. | - |
dc.date.accessioned | 2008-11-17T00:40:39Z | - |
dc.date.available | 2008-11-17T00:40:39Z | - |
dc.date.copyright | 2008 | en_US |
dc.date.issued | 2008 | - |
dc.identifier.uri | http://hdl.handle.net/10356/14497 | - |
dc.description.abstract | I argue it is the Studio actors who matter most when we consider the lack of representation in the other production departments as well as their ability to work intelligently around the Censorship Code. | en_US |
dc.format.extent | 34 p. | en_US |
dc.language.iso | en | en_US |
dc.subject | DRNTU::Social sciences::Sociology::Family, marriage and women | - |
dc.title | Who matters most in 1930-1934? : the politics of Hollywood women during the pre-production code era. | en_US |
dc.type | Final Year Project (FYP) | en_US |
dc.contributor.supervisor | Bergen-Aurand, Brian Keith | en_US |
dc.contributor.school | School of Humanities and Social Sciences | en_US |
dc.description.degree | Bachelor of Arts | en_US |
item.fulltext | With Fulltext | - |
item.grantfulltext | restricted | - |
Appears in Collections: | HSS Student Reports (FYP/IA/PA/PI) |
Files in This Item:
File | Description | Size | Format | |
---|---|---|---|---|
Siti_Maisurah_Rosli.pdf Restricted Access | 82.91 kB | Adobe PDF | View/Open |
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