Please use this identifier to cite or link to this item: https://hdl.handle.net/10356/144989
Title: Divergent generative art practices
Authors: Grba, Dejan
Todorović, Vladimir
Todorović, Tatjana
Schlegel, Andreas
Pandilovski, Melentie
Keywords: Visual arts and music::Media
Issue Date: 2016
Source: Grba, D., Todorović, V., Todorović, T., Schlegel, A., & Pandilovski, M. (2016). Divergent generative art practices. Proceedings of the 22nd International Symposium on Electronic Art ISEA2016 Hong Kong, 408-413.
Conference: 22nd International Symposium on Electronic Art
Abstract: The aim of this panel session is to analyze and compare possible new venues, media, methodologies and forms that generative practices are taking today. We claim that a combination of analytical, playful and critical approaches in understanding and using technologies is important in today’s art world. The discussions will start by addressing the creative and cognitive aspects of procedural fluency in creating, reading or interpreting a generative artwork. By assessing the perceptual interaction with generative art, we will continue to question the narrative and performative qualities of this relatively new form. These two sections will introduce us to the contemporary smart cities as venues for generative practices and a notion of engaging city dwellers to participate in this complex system of networks and devices. Furthermore, we will discuss the new potential divergences of generative art practice. Biotechnology and quantum mechanics open another unimaginable field of generative activities that, equally to other venues, require critical, analytical and creative use of technology.
URI: https://hdl.handle.net/10356/144989
ISBN: 978-962-442-397-6
Schools: School of Art, Design and Media 
Rights: © 2016 All rights reserved by the Individual Authors, School of Creative Media City University of Hong Kong, and ISEA International.
Fulltext Permission: open
Fulltext Availability: With Fulltext
Appears in Collections:ADM Conference Papers

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