Please use this identifier to cite or link to this item: https://hdl.handle.net/10356/14499
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dc.contributor.authorNg, Bertram Jian Wen.-
dc.date.accessioned2008-11-17T01:22:06Z-
dc.date.available2008-11-17T01:22:06Z-
dc.date.copyright2008en_US
dc.date.issued2008-
dc.identifier.urihttp://hdl.handle.net/10356/14499-
dc.description.abstractThe prologue of Shakespeare’s Romeo and Juliet describes the driving force of the plot in how “from forth the fatal loins of these two foes / A pair of star-crossed lovers take their life” (Prologue.5-6). The term “fatal” is explained in the footnote as “ill-fated”, while “star-crossed” is elaborated as “thwarted by the adverse influence of the stars appearing at the time of their birth, which controlled their destinies.” The concept of fate playing a hand in one’s destiny can been seen in Shakespeare’s tragedies, from Romeo and Juliet to Hamlet to Macbeth. The significance is that fate is a power that cannot be ignored. It is the power of not just an unavoidable destiny, but also the power of taking away responsibility and removing morality. This power is the problem that Fate introduces in its single minded path to one’s destiny.en_US
dc.format.extent32 p.en_US
dc.language.isoenen_US
dc.subjectDRNTU::Humanities::Literature::Englishen_US
dc.titleFate’s destruction of freedom and morality in Shakespearean tragedy.en_US
dc.typeFinal Year Project (FYP)en_US
dc.contributor.schoolSchool of Humanities and Social Sciencesen_US
dc.description.degreeBachelor of Artsen_US
dc.contributor.supervisor2Walter Philip Wadiaken_US
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Appears in Collections:HSS Student Reports (FYP/IA/PA/PI)
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