论香港同志电影的发展特点 = The characteristics of Hong Kong gay movies

Abstract

本文主要以香港同志电影作为独立的研究对象，观察其发展特点，探讨香港同 志电影从误解到理解，以及后来走向社会关怀的发展脉络。本文也通过比较男性与女 性执导的女同志电影，讨论女性导演如何以女性情欲颠覆男性霸权，而女同志又如何 在争取权益的同时被社会的规范所限制。此外，本文也将以张国荣作为个案研究，探 讨明星文本如何影响香港同志的文化呈现，以及依靠明星推动的同志运动在发展上的 限制。本文通过香港同志电影与同志现况的连接，探讨香港同志电影的发展特点及社 会限制。 This article takes Hong Kong gay movies as an independent object of study, observes its characteristics, and discusses the development of Hong Kong gay movies from misunderstanding to understanding, and later towards social care. This article compares the lesbian movies directed by male director and female director, discussing how female directors deconstruction androcentrism with female eroticism, and how lesbians are restricted by social norms. This article will also take Leslie Cheung as a case study to observe how a celebrity affects the cultural representation of homosexual in Hong Kong, as well as the restrictions on gay movements promoted by celebrities. This article will be analysing the characteristics and limitations of Hong Kong's homosexual through the connection between Hong Kong's gay movies and the current situation of homosexual.