一首 "长恨" "长" 又 "恨" ：《长恨歌》作为 "新乐府" 的解读 = The eternalised hatred of ‘The Song of Everlasting Hatred’ : from the perspective of the ‘YueFu’ movement

Abstract

《长恨歌》整首叙事诗画出一幅象征真爱之美图。虽然整首诗中都是白居易以即通俗易懂又富有娱乐性的诗歌特色刻画出李扬之情，但唯独最后四句最让人苦恼。一篇“长”中“恨”，而解“恨”的其一方法就是流水对的定论。如今，研究流水对的大家不少，方法也很多。一直认为“有违必谏”的白居易作的每一首诗，背后都有一个目的。因此，此文将以白居易“新乐府”及《长恨歌》的传播为铺垫，然后以流水对的定论解开白居易的“长”、“恨”。The Song of Everlasting Regret is an artistic portrayal of true love. Although the language used was purposed to be easily understood and entertaining, the last four sentences still puzzled many till this day. To understand the “everlasting” and “hatred” of this song, we should first decipher the “hatred” using the concept of “flowing phrase”. Today, many literary professionals have had countless methods to do so. Bai Ju Yi had always believed that poetry served the purposed of bettering the society. Thus, this thesis aims to analyse and justify if the last four sentences were a “flowing phrase”, all on the basis of Bai Ju Yi’s political “Yue Fu” movement.