Please use this identifier to cite or link to this item: https://hdl.handle.net/10356/152459
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dc.contributor.authorYong, Ade Wernmeien_US
dc.contributor.editorA. W. Yongen_US
dc.contributor.editorL. C. Limen_US
dc.date.accessioned2021-09-02T00:49:02Z-
dc.date.available2021-09-02T00:49:02Z-
dc.date.issued2016-
dc.identifier.citationYong, A. W. (2016). Becoming Ellen Toh : the politics of visibility in invitation to treat : the Eleanor Wong trilogy. A. W. Yong & L. C. Lim (Eds.), Contemporary Arts as Political Practice in Singapore (pp. 101-118). Palgrave Macmillan. https://hdl.handle.net/10356/152459en_US
dc.identifier.isbn978-1-137-57628-6en_US
dc.identifier.urihttps://hdl.handle.net/10356/152459-
dc.description.abstractThis chapter evaluates how Eleanor Wong's trilogy of plays appropriates legal discourse towards examining the sanctions placed on human relationships.en_US
dc.language.isoenen_US
dc.publisherPalgrave Macmillanen_US
dc.rights© 2016 The Editor(s) (if applicable) and The Author(s). All rights reserved. This book chapter is made available with permission of The Editor(s) (if applicable) and The Author(s).en_US
dc.subjectHumanities::Languageen_US
dc.titleBecoming Ellen Toh : the politics of visibility in invitation to treat : the Eleanor Wong trilogyen_US
dc.typeBook Chapteren_US
dc.contributor.schoolSchool of Humanitiesen_US
dc.identifier.doi10.1057/978-1-137-57344-5_7-
dc.description.versionAccepted versionen_US
dc.relation.ispartofbookContemporary Arts as Political Practice in Singaporeen_US
dc.identifier.spage101en_US
dc.identifier.epage118en_US
dc.subject.keywordsInvitation to Treaten_US
dc.subject.keywordsVisibilityen_US
dc.subject.keywordsEleanor Wongen_US
item.grantfulltextopen-
item.fulltextWith Fulltext-
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