Please use this identifier to cite or link to this item: https://hdl.handle.net/10356/158064
Title: The Frenzy Of Orlando
Authors: Yap, Wei Ying
Keywords: Visual arts and music::Drawing, design and illustration
Visual arts and music::Technique and composition
Visual arts and music::Animation
Visual arts and music::Art history
Issue Date: 2022
Publisher: Nanyang Technological University
Source: Yap, W. Y. (2022). The Frenzy Of Orlando. Final Year Project (FYP), Nanyang Technological University, Singapore. https://hdl.handle.net/10356/158064
Project: ADM/21/009/U1830973L 
Abstract: ‘The Frenzy of Orlando’ is an illustration project that reimagines the epic poem, ‘Orlando Furioso’. Since the publication of this project in April, it seeks to demonstrate a modern approach to providing appealing visuals to enhance reading experiences – a means to step away from conventional representations illustrated by Gustave Dore, the same 18th-century illustrator responsible for illustrating 13th-century’s The Divine Comedy by Dante Alighieri. Essentially, contemporary readers could understand and differentiate the descriptive narrative easily. This project aimed to highlight the main scenarios discussed in each canto, which is a division of sections within a long poem or simply a chapter to produce corresponding visuals as a summarizing element. To top it off, the style language of this modern version would adopt the artistic techniques created by Ronald Searle (1920-2011) that add a whimsical overlay to the epic’s narrative tone.
URI: https://hdl.handle.net/10356/158064
Schools: School of Art, Design and Media 
Fulltext Permission: restricted
Fulltext Availability: With Fulltext
Appears in Collections:ADM Student Reports (FYP/IA/PA/PI)

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‘The Frenzy of Orlando’, which will be covered in this report is an illustration project that pays tribute to the 15th-century epic as a reminiscence of classic, yet historical folk tales reimagined into today’s modern outlook. It is of great privilege that I get to work with my supervisor, Assistant Professor Davide Benvenuti, to revitalize this centuries-old masterpiece and explore ways to exploit its narrative to a contemporary audience.1.45 MBAdobe PDFView/Open

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