Please use this identifier to cite or link to this item: https://hdl.handle.net/10356/162186
Title: 对比分析2009与2017年版《三国演义》动画片 = A comparative analysis of the 2009 and 2017 editions of ‘Romance of the Three Kingdoms’ animations
Authors: 吴珮绮 Goh, Pei Chee
Keywords: Humanities::Language::Chinese
Issue Date: 2022
Publisher: Nanyang Technological University
Source: 吴珮绮 Goh, P. C. (2022). 对比分析2009与2017年版《三国演义》动画片 = A comparative analysis of the 2009 and 2017 editions of ‘Romance of the Three Kingdoms’ animations. Final Year Project (FYP), Nanyang Technological University, Singapore. https://hdl.handle.net/10356/162186
Abstract: 经典名著《三国志演义》被广泛地改编成影视作品,但有关动画片的研究相对于 其他影视作品来说较少。在这少数的《三国演义》动画片的研究里,都是以中日合作 的 2009 年版动画片为研究对象,几乎没有针对 2017 年版国产改编 3D 动画片的分析和 研究。 本文以 2009 年版和 2017 年版的《三国演义》动画片作为比较对象,以“三顾茅 庐”诸葛亮出场前的剧情作为比较范围,并以二维和三维科技为比较的基础,对比分 析两部动画片的艺术性,包括人物形象的刻画和战争场景的视听效果,以及它们的优 缺点与教育意义。 The classic novel "Romance of the Three Kingdoms" has been widely adapted into film and television works, but the research on its animation is fewer than other film and television works. Among these few researches on “Romance of the Three Kingdoms” animation, most of them used the 2009 Sino-Japanese cooperative animation as the object of research, and there is almost no analysis and research on the 2017 China adaptation of 3D animation. This thesis takes the 2009 and 2017 versions of “Romance of the Three Kingdoms” animations as its research objects, compares the plot before Zhuge Liang's appearance, and uses two- dimensional and three-dimensional technology as the basis of comparison, to compare and analyze the artistry of the two animations, including the characterization of characters, the audio and visual effects of war scenes, as well as their advantages, disadvantages and educational significance.
URI: https://hdl.handle.net/10356/162186
Fulltext Permission: restricted
Fulltext Availability: With Fulltext
Appears in Collections:SoH Student Reports (FYP/IA/PA/PI)

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