Please use this identifier to cite or link to this item: https://hdl.handle.net/10356/164450
Title: A pile of ghosts: a cinematic heterotopia of spectral urbanization
Authors: Raidel, Ella
Keywords: Visual arts and music::Film
Issue Date: 2022
Source: Raidel, E. (2022). A pile of ghosts: a cinematic heterotopia of spectral urbanization. International Journal of Film and Media Arts, 7(1), 11-26. https://dx.doi.org/10.24140/ijfma.v7.n1.01
Journal: International Journal of Film and Media Arts
Abstract: A Pile of Ghosts (2021) is an artistic hybrid film in-between fiction and documentation created through the process of the art based research project Of Haunted Spaces. This research on Chinese ghost cities was a journey in exploring locations and looking for protagonists for the film, that would embody the urbanization processes surfaced as the phenomena of haunted cities by the spectral production of capitalism. As the process of filmmaking goes, settings and castings are staged to re-enact situations that have been observed during the field trips that were undertaken in many parts of China. The search for the unknown narrative keeps modifying and displacing the semantics of the film script. Therefore, in A Pile of Ghosts the line between documentary and fiction, a discursive space, is created in which facts, analyses and references are fused. This is not only to scrutinize the social reality and to render its discourse, but also to foster an aesthetic dimension from reexamining the convention of filmmaking and its representations. It is the method of a performative documentary to enact and re-enact situations and sites to reveal the contradictory characteristics of global urbanziation. The research process is transformed into the making of the film from field research to scriptwriting and casting. The protagonists are appearing in changing roles as construction workers, real estate agents, and investors to enact the realities of capitalism. On the threshold between the visible and the invisible, the haunting ghost of capitalism is materializing in the poiesis of the film, lurking in the limbo zone of fiction, reality and the performative. Keywords: Artistic Research, Documentary Film, Performative Documentary, Urbanisation, China, Hybrid Cinema, Experimental Cinema.
URI: https://hdl.handle.net/10356/164450
ISSN: 2183-9271
DOI: 10.24140/ijfma.v7.n1.01
Rights: © 2022 IJFMA. This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Fulltext Permission: open
Fulltext Availability: With Fulltext
Appears in Collections:ADM Journal Articles

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