Please use this identifier to cite or link to this item: https://hdl.handle.net/10356/38853
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dc.contributor.authorLoh, Karelin Meng Chie.-
dc.date.accessioned2010-05-20T00:49:36Z-
dc.date.available2010-05-20T00:49:36Z-
dc.date.copyright2010en_US
dc.date.issued2010-
dc.identifier.urihttp://hdl.handle.net/10356/38853-
dc.description.abstractBased on the Manau Festival in Kachin, Myanmar, I explore on the social, cultural and political issues revolving this festival and the difficulties that they faced. Through a series of representations, the symbolic meaning of the festival is further explained. Making use of symbols, patterns and graphic design, I hope to provide more information and the ideas that relate to this festival. This is a dance festival belonging to the people of Kachin, consisting of six ethnic groups. To them, this festival highlights prosperity and unity.en_US
dc.format.extent14 p.en_US
dc.language.isoenen_US
dc.rightsNanyang Technological University-
dc.subjectDRNTU::Visual arts and music::General::Historyen_US
dc.titleThe golden façade - the Manau festival.en_US
dc.typeFinal Year Project (FYP)en_US
dc.contributor.schoolSchool of Art, Design and Mediaen_US
dc.description.degreeBachelor of Fine Artsen_US
dc.contributor.supervisor2Nanci Takeyamaen_US
item.grantfulltextrestricted-
item.fulltextWith Fulltext-
Appears in Collections:ADM Student Reports (FYP/IA/PA/PI)
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