Please use this identifier to cite or link to this item: https://hdl.handle.net/10356/39932
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dc.contributor.authorRianto, Samuel Ruby.-
dc.date.accessioned2010-06-08T03:23:26Z-
dc.date.available2010-06-08T03:23:26Z-
dc.date.copyright2009en_US
dc.date.issued2009-
dc.identifier.urihttp://hdl.handle.net/10356/39932-
dc.description.abstractNowadays, the art of digital compositing has become an essential component to almost all kinds of animation and film making industry. The ongoing development of digital compositing software such as Adobe After Effect, Shake and Nuke has allowed the animation and film industry people to go beyond what we can imagine. Many said, "Now anything is possible with digital compositing." Thus, digital compositing has become a new trend in the global animation and film industry; as what we have seen through blockbuster movies such as Sky Captain and the World of Tomorrow (2004), King Kong (2005), the Curious Case of Benjamin Button (2008), District 9 (2009), Alice in Wonderland (2010) and many more. Realizing the importance of digital compositing knowledge in the future animation and film industry has been my major rationale in initiating this project. Using the latest and the most powerful digital compositing software so far, which is Nuke; Dreamatologist takes place as a Final Year Project which focuses on digital compositing and VFX/special effect.en_US
dc.format.extent28 p.en_US
dc.language.isoenen_US
dc.rightsNanyang Technological University-
dc.subjectDRNTU::Visual arts and music::Animationen_US
dc.titleDreamatologist.en_US
dc.typeFinal Year Project (FYP)en_US
dc.contributor.supervisorEileen Reynoldsen_US
dc.contributor.schoolSchool of Art, Design and Mediaen_US
dc.description.degreeBachelor of Fine Artsen_US
item.grantfulltextrestricted-
item.fulltextWith Fulltext-
Appears in Collections:ADM Student Reports (FYP/IA/PA/PI)
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