Please use this identifier to cite or link to this item:
Title: Claiming identities through K-pop participatory fandom: a case study of K-pop fans in Singapore.
Authors: Lew, Sandy Hwee Kee
Keywords: DRNTU::Social sciences
Issue Date: 2011
Abstract: According to Theodor Adorno and Max Horkheimer (1986), the cultural industry results in passive consumption and also the loss of individual consciousness. This conception offers a very pessimistic view on cultural consumption. In this study, I argue that through participatory fandom, fans of Korean pop music (K-pop) are able to creatively interpret and appropriate media texts and produce their own fan texts that support their desires. Using the identity theory (Stryker 2007) to analyze my findings, I argue that by producing fan texts, fans are able to claim their identities as “fans”. In addition, by positioning fans as part of a larger social network, I argue that online communities encourage the emergence of these “fan identities” by facilitating fan texts production.
Rights: Nanyang Technological University
Fulltext Permission: restricted
Fulltext Availability: With Fulltext
Appears in Collections:HSS Student Reports (FYP/IA/PA/PI)

Files in This Item:
File Description SizeFormat 
  Restricted Access
609.21 kBAdobe PDFView/Open

Page view(s)

Updated on Nov 25, 2020


Updated on Nov 25, 2020

Google ScholarTM


Items in DR-NTU are protected by copyright, with all rights reserved, unless otherwise indicated.