Please use this identifier to cite or link to this item: https://hdl.handle.net/10356/44193
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dc.contributor.authorTeng, Angela Li Rong.
dc.date.accessioned2011-05-31T00:59:00Z
dc.date.available2011-05-31T00:59:00Z
dc.date.copyright2011en_US
dc.date.issued2011
dc.identifier.urihttp://hdl.handle.net/10356/44193
dc.description.abstractSiegfried Kracauer states that the “human consciousness is increasingly led away from totality, reality, and immediate experience, and towards the pseudo-reality of a form of distracted mass culture” and the condition of this phenomenon lies within the purposeful structure of 3-D movies (Aitkin 157). By using films such as Audioscopiks (1935), The Polar Express (2004) and Avatar (2009), I will look into the condition of the human consciousness within the mass culture divide, exploring on the understanding of the concept of “Distraction” that influences and shapes the mass culture phenomenon that is present in these films. What we view as normal films actually do have greater meaning within them. We may not know of it but we are the ones that are willing parties wanting to be distracted and this condition is attributed to the current stressful conditions of modernity. Can the society find a resolution to this situation or are we just as clueless?en_US
dc.format.extent24 p.en_US
dc.language.isoenen_US
dc.rightsNanyang Technological University
dc.subjectDRNTU::Humanitiesen_US
dc.title3-D films : birth of an artificial world and the new reality.en_US
dc.typeFinal Year Project (FYP)en_US
dc.contributor.supervisorBrian Keith Bergen-Auranden_US
dc.contributor.schoolSchool of Humanities and Social Sciencesen_US
dc.description.degreeBachelor of Artsen_US
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Appears in Collections:HSS Student Reports (FYP/IA/PA/PI)
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