Please use this identifier to cite or link to this item: https://hdl.handle.net/10356/44308
Title: Clayton diagnosed : rendering objectivity in the innocents and our mother’s house.
Authors: Arifin, Nursharini.
Keywords: DRNTU::Humanities::Literature::English
Issue Date: 2011
Abstract: This paper focuses on the works of Jack Clayton, a prominent British director whose films gained little critical reception. In analysing The Innocents and Our Mother's House, arguably his best and worst films respectively, this paper seeks to uncover what made Clayton such a controversial directorial figure in the turbulent swinging sixties era of British society. From his groundbreaking use of “dissolves” to his exploration of childhood innocence, faith and spirituality and the tension between dream and reality, Clayton’s films leave everything to the imagination.
URI: http://hdl.handle.net/10356/44308
Rights: Nanyang Technological University
Fulltext Permission: restricted
Fulltext Availability: With Fulltext
Appears in Collections:HSS Student Reports (FYP/IA/PA/PI)

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