Please use this identifier to cite or link to this item: https://hdl.handle.net/10356/44575
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dc.contributor.authorHenry, Willis Turner.-
dc.date.accessioned2011-06-02T06:53:48Z-
dc.date.available2011-06-02T06:53:48Z-
dc.date.copyright2011en_US
dc.date.issued2011-
dc.identifier.urihttp://hdl.handle.net/10356/44575-
dc.description.abstractThis work is a series of self-portraits. It is a visual exploration of feeling on questioning identity addressing issues of nationality, belonging, and alienation. The story is incubated from a personal experience as a Chinese Indonesia from Medan. Visual language exploration has played a big role into the research of the project.The performative value in every picture is a manifestation of an idea of examining the fragment of experiences that is being recorded in a single moment. The role of photography here is not merely a record of action but unites with the performative act to enhance the perception of the idea. These pictures employ a soft look to achieve the lost-in-paradise feeling.en_US
dc.format.extent24 p.en_US
dc.language.isoenen_US
dc.rightsNanyang Technological University-
dc.subjectDRNTU::Visual arts and music::Photographyen_US
dc.title"CIMED"(CIna MEDan = Medanese Chinese).en_US
dc.typeFinal Year Project (FYP)en_US
dc.contributor.supervisorOh Soon-Hwaen_US
dc.contributor.schoolSchool of Art, Design and Mediaen_US
dc.description.degreeBachelor of Fine Artsen_US
dc.contributor.supervisor2Shannon Lee Castlemanen_US
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item.grantfulltextrestricted-
Appears in Collections:ADM Student Reports (FYP/IA/PA/PI)
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