Please use this identifier to cite or link to this item: https://hdl.handle.net/10356/45194
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dc.contributor.authorYong Min Hui Vicki.
dc.date.accessioned2011-06-09T09:05:53Z
dc.date.available2011-06-09T09:05:53Z
dc.date.copyright2011en_US
dc.date.issued2011
dc.identifier.urihttp://hdl.handle.net/10356/45194
dc.description.abstractWhat is the link between masculinity and femininity? How is the embracing of masculinity also a rejection of femininity? In the exploration of the relationship between the two supposed binaries of the masculine and the feminine, it led me to question what we commonly believe to be absolute truths about gender and gender relations. My essay thus examines the notions of masculinity in Ernest Hemingway’s The Sun Also Rises and Chuck Palahniuk’s Fight Club where ideals of masculinity are espoused and the Other—be it women or femininity—is rejected. Deconstructing the masculinity in these works exposes an inherent self-emasculation that subsequently brings to light the weakness in an apparently stable gender identity, and by extension, the weakness in the gender binary itself. It becomes clear that the concepts of masculinity and femininity are not just opposing concepts, but fluid and intersecting with no clear-cut dichotomy. The overt masculinity presented in these texts ironically fractures the gender binary that masculinity was built upon, and depends upon in order to maintain a phallocentric order in which it thrives.en_US
dc.format.extent39 p.en_US
dc.language.isoenen_US
dc.rightsNanyang Technological University
dc.subjectDRNTU::Humanities::Literature::Englishen_US
dc.titleFemininity and the destabilization of the hegemonic masculinity in the sun also.en_US
dc.typeFinal Year Project (FYP)en_US
dc.contributor.supervisorAngela Anne Frattarolaen_US
dc.contributor.schoolSchool of Humanities and Social Sciencesen_US
dc.description.degreeBachelor of Artsen_US
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Appears in Collections:HSS Student Reports (FYP/IA/PA/PI)
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