Please use this identifier to cite or link to this item: https://hdl.handle.net/10356/46364
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dc.contributor.authorTan, Mei Yi.
dc.date.accessioned2011-12-05T06:15:46Z
dc.date.available2011-12-05T06:15:46Z
dc.date.copyright2011en_US
dc.date.issued2011
dc.identifier.urihttp://hdl.handle.net/10356/46364
dc.description.abstractSo says Molloy, “[i]t was the beginning, do you understand? Whereas now it’s nearly the end…here it is” (Beckett 4). Whether Molloy is referring to the stack of papers before him, the beginning of the novel or the beginning of his existence, “here it is” opens up spaces of multiple realities within a present moment. It is a space of being between the beginning and the end of the text, between life and death. It is also a space of imagination, dominated by thought existing in language, time and space. From the beginning of Molloy till the end of The Unnameable, Beckett’s tramps voice an existence within physical and mental spaces. Through this, the human existence is a temporal impression captured by language within a space of time.en_US
dc.format.extent34 p.en_US
dc.language.isoenen_US
dc.rightsNanyang Technological University
dc.subjectDRNTU::Humanities::Literature::Englishen_US
dc.title'Here it is': the space of being.en_US
dc.typeFinal Year Project (FYP)en_US
dc.contributor.supervisorAngela Anne Frattarolaen_US
dc.contributor.schoolSchool of Humanities and Social Sciencesen_US
dc.description.degreeBachelor of Artsen_US
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Appears in Collections:HSS Student Reports (FYP/IA/PA/PI)
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