Please use this identifier to cite or link to this item: https://hdl.handle.net/10356/46392
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dc.contributor.authorTan, Puay Shian.
dc.date.accessioned2011-12-05T08:08:35Z
dc.date.available2011-12-05T08:08:35Z
dc.date.copyright2011en_US
dc.date.issued2011
dc.identifier.urihttp://hdl.handle.net/10356/46392
dc.description.abstractBy comparing Haruki Murakami’s Norwegian Wood (1987) and Kim Young-ha’s I Have the Right to Destroy Myself (1996), this paper asserts that both authors express the act of suicide as a cultural response to the new urbanity of the 1960s Japan and 1990s South Korea. The act of suicide in both novels thus symbolizes the prevalence of the loss of one’s self and identity in the face of rapid social transformation. With this relationship between urbanization and the contemporary self, this paper will first examine the two authors’ articulation of urban spaces so as to establish the significance of urbanization in the portrayals of suicide, before discussing the parallels between the physical killing of oneself and the death of one’s self and identity. Through the similarities and differences of the two East Asian cultures, this paper aims to make sense of the portrayals of suicide within the urban spaces of Japan and South Korea, and hopes to conclude with the broader implications of these representations of suicide on the individual, the culture and the society.en_US
dc.format.extent30 p.en_US
dc.language.isoenen_US
dc.rightsNanyang Technological University
dc.subjectDRNTU::Humanities::Literatureen_US
dc.titleDeath of the contemporary self: contextualising suicide in the urban space.en_US
dc.typeFinal Year Project (FYP)en_US
dc.contributor.schoolSchool of Humanities and Social Sciencesen_US
dc.description.degreeBachelor of Artsen_US
dc.contributor.supervisor2Lee Hyunjungen_US
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Appears in Collections:HSS Student Reports (FYP/IA/PA/PI)
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