Please use this identifier to cite or link to this item: https://hdl.handle.net/10356/47060
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dc.contributor.authorYang, Liuen_US
dc.date.accessioned2011-12-27T06:12:54Z
dc.date.available2011-12-27T06:12:54Z
dc.date.copyright2010en_US
dc.date.issued2010
dc.identifier.urihttp://hdl.handle.net/10356/47060
dc.description132 p.en_US
dc.description.abstractThe novel Mansfield Park derives much of its controversy from Jane Austen's creation of a self-conscious, oppressed and retiring Fanny Price as heroine. The three screen versions of Jane Austen's Mansfield Park from 1983, 1999 and 2007 feature Fanny Price in very different manners. This essay seeks to examine how differently the image of Fanny Price is constituted in three screen adaptations in relation to that of the novelistic Fanny Price. In reading each adaptation as a critical assessment of the novel, I argue that the adaptations respectively reflect the general critical concerns for the heroine, and by extension, for women at large, in the 1980s, 1990s and 2000s.en_US
dc.rightsNanyang Technological Universityen_US
dc.subjectDRNTU::Humanitiesen_US
dc.titleMansfiled park adapted : Fanny Price from book to screenen_US
dc.typeThesisen_US
dc.contributor.supervisorTamara Silvia Wagneren_US
dc.contributor.schoolSchool of Humanities and Social Sciencesen_US
dc.description.degreeMaster of Arts (HSS)en_US
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