Please use this identifier to cite or link to this item: https://hdl.handle.net/10356/48654
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dc.contributor.authorWulandari, Lydia
dc.date.accessioned2012-05-04T08:44:13Z
dc.date.available2012-05-04T08:44:13Z
dc.date.copyright2012en_US
dc.date.issued2012
dc.identifier.urihttp://hdl.handle.net/10356/48654
dc.description.abstractThe liminal is an idiosyncratic and prevalent feature of Haruki Murakami’s translated works. Its pervious quality is subtly embedded within the deconstruction of the language and amalgamation of several literary genres that includes mystery, fantasy and the Japanese I-novel. For the purpose of this paper, focus will be given to how the liminal manifests itself in "A Wild Sheep Chase" – the first in a series of his books that has been translated into English, along with "Dance Dance Dance," which is its sequel and "1Q84," Murakami’s latest work of fiction. Today, Haruki Murakami is a household name and remains proliferate among the Japanese public, while his works continue to receive positive reviews from overseas at the same time. But despite Murakami's unflagging popularity, the slew of criticisms he receives from the Japanese literati is also an undeniable recurrent trend. Building upon these contradicting receptions from amongst his readers, this paper aims to explore the possibilities of a unique “Japanese Postmodernity,” and how Murakami’s works has contributed to the reifying of this concept.en_US
dc.format.extent34 p.en_US
dc.language.isoenen_US
dc.subjectDRNTU::Humanitiesen_US
dc.titleReifying “Japanese postmodernity” : an exploration of the liminal in Haruki Murakami’s "A Wild Sheep Chase" and other works.en_US
dc.typeFinal Year Project (FYP)
dc.contributor.supervisorLee Hyun Jung
dc.contributor.schoolSchool of Humanities and Social Sciencesen_US
dc.description.degreeBachelor of Artsen_US
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Appears in Collections:HSS Student Reports (FYP/IA/PA/PI)
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