Please use this identifier to cite or link to this item: https://hdl.handle.net/10356/48935
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dc.contributor.authorYuan, Russel Chang Kai.
dc.date.accessioned2012-05-11T01:44:02Z
dc.date.available2012-05-11T01:44:02Z
dc.date.copyright2012en_US
dc.date.issued2012
dc.identifier.urihttp://hdl.handle.net/10356/48935
dc.description.abstractThe project ultimately seeks to show the attitudes the Chinese have towards the letterforms. The Chinese ideograph holds an imprint of time and space. Because of the idiosyncrasies present within each letterform, they encapsulate an idea, a memory and a voice unique in its construction. These words hence act as miniature time capsules allowing us insight into the lives and thoughts of a generation past. There is a belief that the words hold within themselves a microcosm of the cosmos; that each stroke within the letterforms contains a “heart” and a “soul”.en_US
dc.format.extent14 p.en_US
dc.language.isoenen_US
dc.rightsNanyang Technological University
dc.subjectDRNTU::Visual arts and musicen_US
dc.titleThe living word.en_US
dc.typeFinal Year Project (FYP)en_US
dc.contributor.schoolSchool of Art, Design and Mediaen_US
dc.description.degreeBachelor of Fine Artsen_US
dc.contributor.supervisor2Nanci Takeyamaen_US
item.grantfulltextrestricted-
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Appears in Collections:ADM Student Reports (FYP/IA/PA/PI)
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