Please use this identifier to cite or link to this item: https://hdl.handle.net/10356/52224
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dc.contributor.authorLim, Alina Chai Ying.
dc.date.accessioned2013-04-25T05:33:19Z
dc.date.available2013-04-25T05:33:19Z
dc.date.copyright2013en_US
dc.date.issued2013
dc.identifier.urihttp://hdl.handle.net/10356/52224
dc.description.abstractThis thesis seeks to explore the extent to which a conversation between Frantz Fanon’s three-tiered paradigm on the evolution of the native writer – as manifested in his position on national culture in The Wretched of the Earth – and Tanizaki Junichiro’s literary trajectory successfully articulates the cultural implications of Japan’s negotiations with the West. Tanizaki Junichiro (1886–1965) lived through a period of Japanese history that witnessed the beginnings of Japan’s modernisation in the Meiji era (1868–1912), the nation’s subsequent evolving relationship with the West, two world wars, and a rapidly recovering post-war Japan attempting to secure a position as a global economic powerhouse. This turbulent historical landscape, and the continually evolving cultural context it engenders, informs Tanizaki’s literary trajectory as his works experience shifts in their perspectives and presentations of Japan in relation to the West.en_US
dc.format.extent39 p.en_US
dc.language.isoenen_US
dc.rightsNanyang Technological University
dc.subjectDRNTU::Humanitiesen_US
dc.titleOn the evolution of the native writer : articulating national culture in Tanizaki's fiction.en_US
dc.typeFinal Year Project (FYP)en_US
dc.contributor.supervisorSim Wai Chewen_US
dc.contributor.schoolSchool of Humanities and Social Sciencesen_US
dc.description.degreeBachelor of Artsen_US
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Appears in Collections:HSS Student Reports (FYP/IA/PA/PI)
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