阴性书写下传统女性意识的解构与重构 ：以章诒和《刘氏女·杨氏女》为例 = Deconstruction and reconstruction of feminism in ecriture feminine with reference to Zhang Yi He's the Liu lady and the Yang lady

Abstract

擅长写作历史回忆性散文的章诒和，这次不写政治，不谈制度，反倒在近几年出版了“情罪系列小说”之《刘氏女》和《杨氏女》，被视为章诒和文学写作的一大转折。自古以来，女性在男性作者的笔下，常被蓄意抹黑，甚至妖魔化，反映了父权社会对女性的不平等待遇。

首次推出长篇小说的章诒和，身为身为女性作家的她，文本中有着强烈的女性意识；如埃莱娜· 西克斯（Hélène Cixous）所描的“阴性书写”（Écriture Féminine）一样，章诒和透过她笔下的女性，以解构主义来审视阴性书写下的女性原型，带出边缘人物的命运，对传统女性形象进行解构和重构，为一代文学史上的失声者立传。

Zhang Yi He is well known for her memoir-style histories, but in recent year she has steered away from politics. The release of her latest creative fiction works The Liu Woman and The Yang Woman, both centered on “Crimes of Passion” proves to be a pivotal change in her writing style. Male authors tend to defame and at times, demonize, women in their writing, reflecting the unfair treatment of women in a patriarchal society.

As a female author, Zhang’s first novel exudes a strong sense of feminism; I can relate her work to Hélène Cixous’ “Écriture Féminine”. She applies the deconstruction theory in her analysis of female criminals and their fates, in a bid to redefine women and lend a voice to the once muted women in the history of literature.