Please use this identifier to cite or link to this item: https://hdl.handle.net/10356/59151
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dc.contributor.authorTan, Zachary Kang Hui
dc.date.accessioned2014-04-24T05:38:34Z
dc.date.available2014-04-24T05:38:34Z
dc.date.copyright2014en_US
dc.date.issued2014
dc.identifier.urihttp://hdl.handle.net/10356/59151
dc.description.abstractThis essay's concern is with poetic maturity, or more specifically, what it means for Eliot to become mature as a poet, the conditions of which I take the conditions of maturity from his essay “Tradition and the Individual Talent”. It is with this purpose that I look at his poems “The Love Song of J. Alfred Prufrock” and The Waste Land, and argue that implicit in both are distinct stages of his developing maturity.en_US
dc.format.extent35 p.en_US
dc.language.isoenen_US
dc.rightsNanyang Technological University
dc.subjectDRNTU::Humanities::Literature::Englishen_US
dc.titlePoetic maturity in T.S. Eliot’s “The love song of J. Alfred Prufrock" and the waste landen_US
dc.typeFinal Year Project (FYP)en_US
dc.contributor.schoolSchool of Humanities and Social Sciencesen_US
dc.description.degreeBachelor of Artsen_US
dc.contributor.supervisor2Richard Barlowen_US
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Appears in Collections:HSS Student Reports (FYP/IA/PA/PI)
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