Please use this identifier to cite or link to this item: https://hdl.handle.net/10356/59421
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dc.contributor.authorLim, Qi Xuan
dc.date.accessioned2014-05-05T06:08:38Z
dc.date.available2014-05-05T06:08:38Z
dc.date.copyright2014en_US
dc.date.issued2014
dc.identifier.urihttp://hdl.handle.net/10356/59421
dc.description.abstractMartian frogs, apes that breathe underwater, pigs bred with human organs, the list of modern-day Frankensteins is a list out of a science fiction fantasy. Genetic engineering brings the world as much promise as possible peril, bringing us dreams of ferocious potential while spinning threads of wonder into our minds. The New Age of Wonder is not a commentary meant to address moral or ethical issues of genetic modification or animal cruelty, but rather, it seeks to suspend our belief in a fleeting moment between scientific fact and absolute doubt. The work weaves together science and art —inducing a sense of wonder through manipulated facts and pure fiction — and aims to displace the viewer’s sense of reality and comfort. By re-appropriating the century-old concept of the Wunderkammer, this project draws on scientific language and classic visualization techniques to highlight the ongoing Cartesian tug-of-war between Man and Nature that continues emphatically today.en_US
dc.format.extent27 p.en_US
dc.language.isoenen_US
dc.rightsNanyang Technological University
dc.subjectDRNTU::Visual arts and musicen_US
dc.titleThe anatomy of wonderen_US
dc.typeFinal Year Project (FYP)en_US
dc.contributor.supervisorAstrid Al Mkhlaafyen_US
dc.contributor.schoolSchool of Art, Design and Mediaen_US
dc.description.degreeBachelor of Fine Artsen_US
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Appears in Collections:ADM Student Reports (FYP/IA/PA/PI)
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