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|Title:||张爱玲与王安忆的上海小说叙事 ：以《半生缘》与《长恨歌》为例 = Narrative artistry in Shanghai stories : the affinity of half a lifetime by Eileen Chang and the song of everlasting sorrow Wang Anyi||Authors:||严冰 Yan, Bing||Keywords:||DRNTU::Humanities::Literature::Chinese||Issue Date:||2015||Abstract:||张爱玲与王安忆两位著名的现代女性作家，都曾在不同的时代书写着上海，创作出了不少具有时代意义的上海小说，也被称为是海派作家。本论文着重在张爱玲的《半生缘》以及王安忆的《长恨歌》，从小说叙事学角度来分析两部小说叙事效果的异同。 本论文共分五章。第一章为导论，对两位作家和两部作品进行简单的介绍。第二章至第四章是本文探讨小说叙事的核心部分，分别讨论全聚焦模式下的上海城；视角转换所带来的艺术效果；及内容要素中人物和结局的对比。通过小说叙事的“叙述”+“故事”这一模式，我们可以看到《长恨歌》与《半生缘》所呈现出的不同叙事效果，这也为两部作品增添了更多的意义。 Eileen Chang and Wang Anyi, the well-known modern female writers, are also known as the Shanghai School (海派) writers. They have written a series of Shagnhai novels that are representative of their times. This paper focuses on Eileen Chang’s The Affinity of Half a Lifetime and Wang Anyi’s The Song of Everlasting Sorrow, to analyze the similarities and differences between the narrative effects from the narrative point of view. The paper is divided into five chapters. The first chapter introduces the writers and the novels. The second to the fifth chapter discuss focalization, artistic effects brought by the change of perspective as well as the comparison of the characters and endings in the novels. Through the use of the “narration”+ “story” formula, I’ve discovered the different narrative effects from the two novels and I believe that it creates more values for the novels.||URI:||http://hdl.handle.net/10356/62346||Rights:||Nanyang Technological University||Fulltext Permission:||restricted||Fulltext Availability:||With Fulltext|
|Appears in Collections:||HSS Student Reports (FYP/IA/PA/PI)|
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