Please use this identifier to cite or link to this item: https://hdl.handle.net/10356/63108
Title: Faces, spaces, and touch : frames for being with and for animals in documentary film
Authors: Filzah Yahaya
Keywords: DRNTU::Humanities::History
Issue Date: 2015
Abstract: Randy Malamud, in An Introduction to Animals and Visual Culture, studies how humans build frames to “place” animals within it for viewing (18-20). Animals that are filmed in documentaries, similarly, are made to exist within a frame or a boundary by the filmmaker. The frame constructs the space that forms the position of the viewer in relation to the animal on screen. From the analysis of how different spaces of the documented animal is constructed and approached or entered by the human, I examine how documentary films may interrupt the “authority of the frames and framers” (Malamud 20).
URI: http://hdl.handle.net/10356/63108
Rights: Nanyang Technological University
Fulltext Permission: restricted
Fulltext Availability: With Fulltext
Appears in Collections:HSS Student Reports (FYP/IA/PA/PI)

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