Please use this identifier to cite or link to this item: https://hdl.handle.net/10356/63333
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dc.contributor.authorYe, Ruicheng
dc.date.accessioned2015-05-12T08:41:37Z
dc.date.available2015-05-12T08:41:37Z
dc.date.copyright2015en_US
dc.date.issued2015
dc.identifier.urihttp://hdl.handle.net/10356/63333
dc.description.abstractThis report aims to reflect the entire process, from conceptualisation to production and postproduction of the Director/Producer of 5 Dollars for a Passport by myself, Ye Ruicheng (Jason). We will look at the issues and concepts that inspired me to make this documentary, which mostly discusses the idea of memory and how it shapes our understanding of the world. We will then discuss why we chose to shoot on 16mm celluloid film and the logistical challenges involved with that, as we live in a world that has mostly forgotten about shooting on film. Finally, we can evaluate how successful this project was in conveying the messages which I had intended it for and the learning points we can take away from both the physical production of the documentary and conceptualising it in terms of content.en_US
dc.format.extent19 p.en_US
dc.language.isoenen_US
dc.rightsNanyang Technological University
dc.subjectDRNTU::Visual arts and music::Filmen_US
dc.title5 Dollars for a passporten_US
dc.typeFinal Year Project (FYP)en_US
dc.contributor.supervisorMarijke Van Ketsen_US
dc.contributor.schoolSchool of Art, Design and Mediaen_US
dc.description.degreeBachelor of Fine Artsen_US
item.grantfulltextrestricted-
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Appears in Collections:ADM Student Reports (FYP/IA/PA/PI)
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