Please use this identifier to cite or link to this item: https://hdl.handle.net/10356/63391
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dc.contributor.authorYang, Leonard
dc.date.accessioned2015-05-13T05:45:41Z
dc.date.available2015-05-13T05:45:41Z
dc.date.copyright2015en_US
dc.date.issued2015
dc.identifier.urihttp://hdl.handle.net/10356/63391
dc.description.abstractJust as the Calotype and the Daguerreotype were invented by Fox Talbot and Louis Daugerre respectively in the 1830s, with the former labeled as a ‘pencil of nature’ by its inventor, today’s camera is a device that captures reality and discloses a slice of reality that appears somewhat more spectacular than the circumstances we are in due to the proliferation of intermediary platforms capable of presenting a plethora of images that augment reality to the standard of the photogenic. The assumed authenticity of the photograph is in a state of crisis – its capacity to serve as realistic representation is warped beyond means of redemption. But what is reality other than a subjective perspective? What is reality other than staring into the stillest waters and having the reflection of our own face staring back at us, with the occasional ripple wiping clean a wrinkle that represents the loss of youth and the coming of age?en_US
dc.format.extent8 p.en_US
dc.language.isoenen_US
dc.rightsNanyang Technological University
dc.subjectDRNTU::Visual arts and music::Photographyen_US
dc.subjectDRNTU::Visual arts and music::Paintingen_US
dc.titleLet the cameras roll and the paints flow : a thesis on the photographic tableauen_US
dc.typeFinal Year Project (FYP)en_US
dc.contributor.supervisorMartin Constableen_US
dc.contributor.schoolSchool of Art, Design and Mediaen_US
dc.description.degreeBachelor of Fine Artsen_US
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Appears in Collections:ADM Student Reports (FYP/IA/PA/PI)
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