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|Title:||张挥微型小说的的叙述手法 = Narrative techniques of Zhang Hui’s mini-fiction||Authors:||施茹萍 See, Loo Peng||Keywords:||DRNTU::Humanities||Issue Date:||2016||Abstract:||张挥是当代新加坡华文文学的重要作家之一，他擅长写的文体是微型小说和杂文。在上个世纪八十年代末和九十代，他发表过多篇微型小说于报刊和文学杂志上。张挥微型小说的创作题材十分多元化，其中就有乡土题材，都市题材和教育题材。张挥的小说艺术手法多变。从怪异奇特的叙述材料，适当的道具素材到有趣的构思方式，这些都展示了张挥在艺术技巧上的野心。张挥的创新意识和创作在当时的新加坡华文文学文坛是一种突破，他对于新加坡微型小说的发展作出了重要的贡献。本文以张挥的微型小说为研究对象，考察了微型小说的文体以及新加坡历史文化之间的脉络关系，并且并通过文本细读的方式归类张挥微型小说的题材，探讨在其多变的叙述手法下，如何展示新加坡华人的多重生活体验。Zhang Hui is one of the most important writers in Singapore’s contemporary Chinese literary circles. He is at good at writing mini-fiction and essay. During the end of 1980s and 90s, he had published a lot of his mini-fiction on newspaper and literary magazine. Zhang Hui has a diversified theme for his mini-fiction, which include native theme, urban theme and education theme. In Zhang Hui‘s mini-fiction, artistic techniques is varied. In his mini-fiction, he used strange and bazaar narrative theme, appropriate narrative prop and interesting conception. All these showed Zhang Hui’s desire in artistic skill. At that time, Zhang Hui’s creativity consciousness and works is a breakthrough in the Singapore Chinese literature circles. He has contributed enormously to the development of Chinese Literature in Singapore back in his era. This thesis analyses Zhang Hui’s mini fiction and attempts to investigate the relation between the styles of mini-fiction and Singapore’s historical and cultural context. With the close reading of Zhang’s works, classification of Zhang Hui’s narrative theme is done and exploration of his varied narrative techniques would disclose how he demonstrated Singapore Chinese life experiences through his works.||URI:||http://hdl.handle.net/10356/69055||Rights:||Nanyang Technological University||Fulltext Permission:||restricted||Fulltext Availability:||With Fulltext|
|Appears in Collections:||HSS Student Reports (FYP/IA/PA/PI)|
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