dc.contributor.authorBottini, Cinzia
dc.date.accessioned2016-10-10T01:45:20Z
dc.date.accessioned2017-07-23T08:44:59Z
dc.date.available2016-10-10T01:45:20Z
dc.date.available2017-07-23T08:44:59Z
dc.date.issued2016-10-10
dc.identifier.citationBottini, C. (2016). UPA : redesigning animation. Doctoral thesis, Nanyang Technological University, Singapore.
dc.identifier.urihttp://hdl.handle.net/10356/69065
dc.description.abstractThe animation studio United Productions of America (UPA) was able to challenge Disney supremacy in the 1950s entertainment market by creating cutting-edge animated cartoons. UPA films express a simplified audiovisual language consisting of stylized layout designs, asymmetrical compositions, colors applied flatly and in contrast with each other, limited animation and a minimalist use of sound effects. UPA artists developed this innovative style by assimilating those aesthetic features already expressed by Modern painters, graphic designers and advertisers. This thesis considers UPA films as Modern animations, because they synthesize a common minimalist tendency that was occurring in U.S. animation during the 1940s and 1950s. It examines the conditions under which UPA studio flourished and the figure of its executive producer Stephen Bosustow; the influence of Modernist stylistic features of painting, graphic design and poster advertising on UPA animations; and UPA animated cartoons as case studies of a simplified audiovisual language that influenced 1950s-1960s international productions.en_US
dc.format.extent425 p.en_US
dc.language.isoenen_US
dc.subjectDRNTU::Visual arts and musicen_US
dc.titleUPA : redesigning animationen_US
dc.typeThesis
dc.contributor.schoolSchool of Art, Design and Mediaen_US
dc.contributor.supervisorHeitor Capuzzoen_US
dc.description.degreeDOCTOR OF PHILOSOPHY (ADM)en_US
dc.identifier.doihttps://doi.org/10.32657/10356/69065


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