Please use this identifier to cite or link to this item: https://hdl.handle.net/10356/70260
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dc.contributor.authorChia, Johanna Wai Teng
dc.date.accessioned2017-04-18T02:34:39Z
dc.date.available2017-04-18T02:34:39Z
dc.date.issued2017
dc.identifier.urihttp://hdl.handle.net/10356/70260
dc.description.abstractThis paper studies the shifting position of the novel in digital culture with The Gutenberg Parenthesis as a larger framework. Using Steven Hall's The Raw Shark Texts as a site of investigation, we look at how the novel employs the technique of graphic experimentation, and interweaving of various multimedia into its narrative, so as to stay competent in an electronic era. Then, the argument that digital technologies will soon cause the death of the novel finds itself displaced by the notion that they in fact liberalize the novel, and even enhance it.en_US
dc.format.extent47 p.en_US
dc.language.isoenen_US
dc.rightsNanyang Technological University
dc.subjectDRNTU::Humanities::Literature::Englishen_US
dc.titleSteven Hall's the raw shark texts : reimagining the novel in media ecologyen_US
dc.typeFinal Year Project (FYP)en_US
dc.contributor.supervisorBarrie Sherwooden_US
dc.contributor.schoolSchool of Humanities and Social Sciencesen_US
dc.description.degreeBachelor of Artsen_US
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Appears in Collections:HSS Student Reports (FYP/IA/PA/PI)
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