Please use this identifier to cite or link to this item:
Title: Miley Cyrus : an analysis of intersectional failures across sexuality, race and class
Authors: Lim, Ashley Li Jun
Keywords: DRNTU::Humanities
Issue Date: 2017
Abstract: In the opening scene to the music video, “Party in the USA” (2009), American artist Miley Cyrus is characterised as a marginalised Southerner from Nashville, Tennessee. She arrives in Hollywood, California feeling homesick, nervous, and out-of-place with her worn-out leather boots. By the end of the song though, Cyrus’s “butterflies fly away” (Gottwald) after listening to her favourite songs by pop diva Britney Spears and hip-hop icon Jay-Z. The incorporation of these singers, who notably represent different racial and music groups, reasonably hails the song as an inclusive empowering anthem, celebrating American patriotism and its contemporary multiculturalism. Also, it presents Cyrus as a hip and open-minded worldly artist. However, although Cyrus sings about embracing ethnic assimilation, she ironically appropriates “white trash” and African-American cultures. My essay uses Cyrus’s intersectional failures across sexuality, race and class in her career trajectory as a case study of how postfeminist, post-racial rhetoric may nevertheless enable cultural appropriation.
Rights: Nanyang Technological University
Fulltext Permission: restricted
Fulltext Availability: With Fulltext
Appears in Collections:HSS Student Reports (FYP/IA/PA/PI)

Files in This Item:
File Description SizeFormat 
Lim Li Jun Ashley FYP.pdf
  Restricted Access
1.47 MBAdobe PDFView/Open

Page view(s)

Updated on Jun 19, 2021

Download(s) 50

Updated on Jun 19, 2021

Google ScholarTM


Items in DR-NTU are protected by copyright, with all rights reserved, unless otherwise indicated.