Please use this identifier to cite or link to this item: https://hdl.handle.net/10356/70559
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dc.contributor.authorChan, Grace Fiona Rui Ying
dc.date.accessioned2017-04-27T07:47:21Z
dc.date.available2017-04-27T07:47:21Z
dc.date.issued2017
dc.identifier.urihttp://hdl.handle.net/10356/70559
dc.description.abstractThis essay explores how Glaswegian author, James Kelman exposes and resists the class and language hierarchy in society in his Booker-Prize-winning-novel, How Late It Was, How Late. Accused of being more of a reporter who jots down facts than an artist who crafts his work, Kelman proves that staying true to his background by writing in the language he speaks in instead of using 'proper' language can be a creative tool in exposing and resisting marginalisation in society.en_US
dc.format.extent35 p.en_US
dc.language.isoenen_US
dc.rightsNanyang Technological University
dc.subjectDRNTU::Humanities::Literatureen_US
dc.titleExposing marginalisation and resisting hierarchy in How Late It Was, How Lateen_US
dc.typeFinal Year Project (FYP)en_US
dc.contributor.supervisorRichard Alan Barlowen_US
dc.contributor.schoolSchool of Humanities and Social Sciencesen_US
dc.description.degreeBachelor of Artsen_US
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Appears in Collections:HSS Student Reports (FYP/IA/PA/PI)
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