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dc.contributor.author林艺君 Lin, Yijun
dc.description.abstract“女性身体”作为记载历史空间的另类⽅式,是常常被宏⼤叙述观念的⼤历史背景下所遗忘的。因此,重新阅读历史空间的“女性身体”的⽅式,其实是给予重新认识历史的另⼀个角度。“女性身体”作为⼀种社会⽂化想象的符号,是⼀个被历史、⽂化所建构起来的被动的身体。 本⽂将透过研究刘晓义与林志坚联合编创的剧本《她门》,通过“女性身体”的历史、形象及声⾳,探讨“女性身体”在社会空间中的规训与建构,看“女性身体”在社会中所遭受到的压迫,并尝试瓦解压迫“女性身体”的空间,从⽽再现出更真实的“女性身 体”的多元想象。The “Female Body”, as an alternative way of writing the historical space, is often forgotten in the historical context with a grand narrative concept. As a symbol of social and cultural imagination, the “female body”, is a passive body that is constructed by its history and culture. Therefore, the way of re-reading the “female body” in the historical space, is another perspective of knowing history. This thesis attempts to study the script The Bride Always Knocks Twice, jointly written by Jonathan Lim and Liu Xiaoyi, to understand how the “Female body” is constructed by its history, image, and voice in the social space. Therefore, by examining the oppression that “Female Body” has suffered from in the society, and try to disintegrate the space that causes the oppression, and reveals the imagination of all kinds of “Female Body”.en_US
dc.format.extent46 p.en_US
dc.rightsNanyang Technological University
dc.title消失的女人” :《她门》剧中女性身体的空间想象 = “Disappeared women" : the spatial imagination of female body in the bride always knocks twiceen_US
dc.typeFinal Year Project (FYP)en_US
dc.contributor.supervisorQuah Sy Renen_US
dc.contributor.schoolSchool of Humanities and Social Sciencesen_US
dc.description.degreeBachelor of Artsen_US
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Appears in Collections:HSS Student Reports (FYP/IA/PA/PI)
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