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|Title:||比较王久良和柯金源 ：中国与台湾的环境纪录片 = A comparison of Jiu-Liang Wang and Chin-Yuan Ke : China and Taiwan environmental documentaries||Authors:||赖洁仪 Lye, Esther Jie Yi||Keywords:||DRNTU::Humanities::Language::Chinese||Issue Date:||2019||Abstract:||中国和台湾的环境纪录片导演在非常不同的政治与言论自由标准的背景下制作揭示环境问题的环境纪录片。虽然中国近年来出产了不少环境纪录片，代表中国逐渐对于环境问题的关注，但由于言论自由的限制，对比起台湾，中国的环境纪录片在发布和传播方面还是面对了极大的挑战。中国的环境纪录片在政治敏感与缺乏言论自由的环境内，面临触碰到敏感议题的可能性而时常处于可能遭到禁止播放的危险地带。另一方面，台湾的环境纪录片则是从言论高度自由的国家出产，与中国环境纪录片的制片环境有着天壤之别的差异。本文将以中国的王久良导演和台湾的柯金源导演所制作的环境纪录片为例，分析两个地区的影片制作视角、手法、影片传播的情况以及它们的差异。Environmental documentary directors in China and Taiwan produce environmental documentaries that reveal environmental issues under very different political ideologies and different standards of freedom of speech. China has produced a lot of environmental documentaries in recent years, representing China's growing concern about environmental issues. However, due to restrictions on freedom of speech, Chinese environmental documentaries continue to face great challenges in publishing and disseminating, as compared to Taiwan. In an environment of political sensitivity and lack of freedom of speech, China's environmental documentary faces the possibility of touching on sensitive topics that may cause the film to be banned. On the other hand, Taiwan's environmental documentaries are produced in a country with a high degree of freedom of speech, which is very different from the production environment of China's environmental documentaries. This paper will utilise environmental documentaries produced by director Jiu-Liang Wang of China and director Chin-Yuan Ke of Taiwan as examples to analyse film production perspectives, techniques, film distribution and differences in the two regions.||URI:||http://hdl.handle.net/10356/76517||Rights:||Nanyang Technological University||Fulltext Permission:||restricted||Fulltext Availability:||With Fulltext|
|Appears in Collections:||SoH Student Reports (FYP/IA/PA/PI)|
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