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| | | Issue Date | Title | Author(s) |
| 1 |  | 2022 | Study of calligraphic brushwork in Singapore watercolour art | Ng, Woon Lam |
| 2 | | 2014 | Art and design pedagogy for tomorrow’s lifelong learners | Pun, Siu Kay |
| 3 | | 2014 | Sound art Singapore : conversation with Pete Kellock, Zul Mahmod and Mark Wong | Lindborg, PerMagnus |
| 4 | | 2010 | Singapore voices : an interactive installation about languages to (re)(dis)cover the intergenerational distance | Lindborg, PerMagnus |
| 5 | | 2016 | On the Name of Book Wrighting: Irma Boom’s “Transformative Crossover” Production | Boom, Irma; Ojeda, Danne |
| 6 | | 2012 | Collaborative learning : a means to creative thinking in design | Pun, Siu Kay. |
| 7 | | 2017 | Disruption of the Broadcast | Packer, Randall |
| 8 | | 2014 | The design of user-defined packaging as a tool to educate visual education students | Yeo, Jesvin Puay-Hwa |
| 9 | | 2015 | Interactive Sonification of Weather Data for The Locust Wrath, a Multimedia Dance Performance | Lindborg, PerMagnus |
| 10 | | 2014 | Special issue on sound art and interactivity in Singapore : SI13 and More | Lindborg, PerMagnus |
| 11 | | 2004 | “Leçons”: an Approach to a System for Machine Learning, Improvisation and Musical Performance | Lindborg, PerMagnus |
| 12 | | 2011 | Communication as a cognitive tool in visual learning | Pun, Siu Kay. |
| 13 | | 2018 | Comparison of practical color application by visual artists in different fields : a sharing of their learning, teaching, and practical experience of color theory | Ng, Woon Lam |
| 14 | | 2017 | Conceptions of design research : discursive phenomenography in undergraduate visual communication design research | Yeo, Jesvin Puay-Hwa; Koh, Caroline; Chye, Stefanie Yen-Leng |
| 15 | | 2010 | Visual language skills – do business students need them | Pun, Siu Kay |
| 16 | | 2015 | War poems : a transgression of objective and linear imagery towards the avant-garde in animation | Conradi, Ina |
| 17 | | 2018 | Connecting reminiscence, art making and cultural heritage: A pilot art-for-dementia care programme | Tan, Michael Koon Boon |
| 18 | | 2004 | This tumult in the clouds': CRW Nevinson and the development of the 'airscape' | Walsh, Michael J K |
| 19 | | 2022 | What’s the big tridea? | Winstanley, Lisa |
| 20 | | 2014 | Colonial volunteerism and recruitment in the British empire during the Great War | Varnava, Andrekos; Walsh, Michael J K |
| 21 | | 16-Nov-2017 | For a history of the manuscript Phillipps 9589. (Per una storia del manoscritto [Phillipps 9589] in Salvatore LORUSSO, Studio multidisciplinare del Codice Dantesco con Palinsesto già Phillipps 9589. Nota 1. Storia e preliminare indagine diagnostica) | Andrea Nanetti |
| 22 | | 2014 | Pedagogy for creative collaboration | Pun, Siu-Kay |
| 23 | | 2019 | Eric Bogle’s No Man’s Land and the grave of Willie McBride at the Somme | Walsh, Michael J. K. |
| 24 | | 2021 | Crafting the next generation of web-based learning tools for manuscript artefacts in the time of the COVID-19 pandemic. A focus on science, technology, and engineering codices, world maps, and archival documents in exhibition settings | Nanetti, Andrea; Radzi, Zaqeer; Benvenuti, Davide |
| 25 | | 2010 | Joseph Beuys: Una domesticación posible de lo cotidiano = Joseph Beuys: A Possible Domestication of the Status Quo | Ojeda, Danne |
| 26 | | 2017 | Lights, virtual camera, action! | Hodgkinson, Gray |
| 27 | | 2018 | Heritage visualisation and potential speculative reconstructions in digital space : the medieval church of St. Anne in Famagusta, Cyprus | Walsh, Michael John Kirk; Bernardello, Rachele A. |
| 28 | | 2019 | The British Football Academy : a design thinking approach to branding strategy | Winstanley, Lisa |
| 29 | | 2021 | Defining heritage science : a consilience pathway to treasuring the complexity of inheritable human experiences through historical method, AI and ML | Nanetti, Andrea |
| 30 | | 2016 | Conclusion and future work : provenance and validation from the humanities to automatic acquisition of semantic knowledge and machine reading for news and historical sources indexing/summary | Nanetti, Andrea; Lin, Chin-Yew; Cheong, Siew Ann |
| 31 | | 2013 | An overview of research methods in visual communication design education | Yeo, Jesvin Puay-Hwa |
| 32 | | 2022 | Coupling the beams: how controlled extraction methods and FTIR-spectroscopy, OM and SEM reveal the grinding of starchy plants in the Pontic steppe 36,000 years ago | Longo, Laura; Birarda, G.; Cagnato, C.; Badetti, E.; Covalenco, S.; Pantyukhina, I.; Skakun, N.; Vaccari, L.; Terekhina, V.; Sorrentino, G. |
| 33 | | 2016 | Porous Emerald | Lindborg, PerMagnus |
| 34 | | 2015 | Psychoacoustic, physical, and perceptual features of restaurants : a field survey in Singapore | Lindborg, PerMagnus |
| 35 | | 2015 | Maps as Knowledge Aggregators: from Renaissance Italy Fra Mauro to Web Search Engines | Nanetti, Andrea; Cattaneo, Angelo; Cheong, Siew Ann; Lin, Chin-Yew |
| 36 | | 2019 | Wandering machines narrativity in generative art | Todorović, Vladimir; Grba, Dejan |
| 37 | | 2011 | Art at the edges of materiality | Conradi, Ina. |
| 38 | | 2021 | Eden in Iraq: a wastewater design project as bio-art—a confluence of nature and culture, design and ecology, in Southern Iraq marshes | Rubenstein, Meridel; Sathikh, Peer |
| 39 | | 2017 | Phasmagraphy: A potential future for artistic imaging | Reinhuber, Elke |
| 40 | | 2009 | Creative thinking through visual literacy | Pun, Siu Kay |
| 41 | | 2018 | Enhancing the experience of the Western Xia Imperial Tombs heritage site (PRC, Ningxia) through animated installations | Nanetti, Andrea; Shedd, Ben Alvin; Luo, Shen-Shen |
| 42 | | 2-Jun-2016 | Modalità e tempi dell’inizio del domino diretto dei venetici sul Peloponneso (1204-1209) e la scelta di governare direttamente solo Korone e Methone | Andrea Nanetti |
| 43 | | 2017 | Knowledge evolution in physics research: An analysis of bibliographic coupling networks | Liu, Wenyuan; Nanetti, Andrea; Cheong, Siew Ann |
| 44 | | 2015 | Colour Association with Music Is Mediated by Emotion: Evidence from an Experiment Using a CIE Lab Interface and Interviews | Lindborg, PerMagnus; Friberg, Anders K. |
| 45 | | 2018 | Towards a caring practice : reflections on the processes and components of arts-health practice | Tan, Michael Koon Boon |
| 46 | | 2018 | Cross-modal perception of noise-in-music : audiences generate spiky shapes in response to auditory roughness in a novel electroacoustic concert setting | Liew, Kongmeng; Lindborg, PerMagnus; Rodrigues, Ruth; Styles, Suzy J. |
| 47 | | 2016 | A taxonomy of sound sources in restaurants | Lindborg, PerMagnus |
| 48 | | 2018 | Exaggerated expectations in ancient starch research and the need for new taphonomic and authenticity criteria | Mercader, Julio; Akeju, Tolutope; Brown, Melisa; Bundala, Mariam; Collins, Matthew J.; Copeland, Les; Crowther, Alison; Dunfield, Peter; Henry, Amanda; Inwood, Jamie; Itambu, Makarius; Kim, Joong-Jae; Larter, Steve; Longo, Laura; Oldenburg, Thomas; Patalano, Robert; Sammynaiken, Ramaswami; Soto, María; Tyler, Robert; Xhauflair, Hermine |
| 49 | | 2016 | Personality traits bias the perceived quality of sonic environments | Lindborg, PerMagnus; Friberg, Anders |
| 50 | | 2012 | Gunboat diplomacy : Turkey, USA and the advent of the cold war | İnanç, Gül.; Yilmaz, Şuhnaz. |
